Hugo Mayer Orgelbau, die Orgelmanufaktur für weltweit geschaffene Instrumente Hugo Mayer Orgelbau, die Orgelmanufaktur für weltweit geschaffene Instrumente Hugo Mayer Orgelbau, die Orgelmanufaktur für weltweit geschaffene Instrumente Hugo Mayer Orgelbau, die Orgelmanufaktur für weltweit geschaffene Instrumente
Orgelbau Mayer
Hugo Mayer Orgelbau Orgelmanufaktur Heusweiler
Organ in the
catholic church
Christ König
in Saarbrücken
The general renovation of the organ comprised the following tasks:
Cleaning the entire organ including the exchange and renewal of all membranes of the conical windchests as well as the pockets in the windchests dating back to 1960. The entire wind section was thoroughly renovated, we installed a new blower unit, and all bellows were equipped with new leather parts and sleeves. We also exchanged the magnetic levers of the windchest relays.

Anotther big task was the renovation of the four-manual keyboard table. All contacts of the playing apparatus were replaced with new silver contacts. We installed a large tuning combination capture combination system including disc drive to save different registering patterns into the register section.

We did not change the historic disposition of the keyboard-table easel, we only connected the register keys to the register-setting magnets.

Also, the function of the free combination switches remained intact, so now registers may be pulled either via the new capture combination system or else the old switch combination. In agreement with the responsible persons in the parish, the tune level was raised from 435 to 440 Hertz to allow joint music between organ and orchestra or solo instruments.

Our voicing experts Mr. P. Akroud and Mr. J. Campbell effected some subtle modifications in the total sound.

We soldered 56 new cover flaps onto the very unstable vox humana and eased the tuning spring, as the tuning would not hold with this register. Modifying the cuts, the intonation was changed for all pipes with "Principal 16’ " in the organ front in order to achieve a better response and basic tuning fundamental sound. At the quintadena, too, we modified the cuts and soldered flanges to the metal pipes to achieve a stately sound.

Octave 8’, tubular flute 4’ and octave 4’ were also intonated in a more stately fashion, part of the pipes was shifted by half a tone.

In the IIIrd manual keyboard, registers Principal 8’, Stillgedackt 8’, Schwegel, third, Nasard and third cymbel were shifted and changed in their intonation. In the pedal section, the registers Nonen cymbel, block flute 2’, trumpette harm. and mixture were shifted and completely changed in their intonation.

The necessary or requested intonation changes mainly resulted from modifications of the instrument during the neo-baroque style era of the 1960’s.

Stop list
of the organ in the catholic parish Christ König, Saarbrücken
Ist MANUAL
Positive
IInd MANUAL
Main section
1. Lieblich Gedackt
2. Quintadena
3. Prinzipal
4. Blockflöte
5. Oktave
6. Oktave
7. Sesquialter 2f.
8. Scharff 3-4f.
9. Vox humana
10. Tremulant
11. II-I
12. III-I
13. IV-I
14. V-I
8’
8’
4’
4’
2’
1’
2 2/3’+1 3/5’
1 1/3’
8’


1. Prinzipal
2. Rohrquintadena
3. Oktave
4. Holzflöte
5. Gemshorn
6. Oktave
7. Rohrflöte
8. Gemsquinte
9. Superoktav
10. Hohlflöte
11. Mixtur 4-6f.
12. Scharff 4f.
13. Bombarde
14. Trompete
15. Clairon
16. I-II
17. III-II
18. IV-II
19. V-II
16’ (Prospekt)
16’
8’
8’
8’
4’
4’
2 2/3’
2’
2’
2’
1 1/3’
16’
8’
4’

IIIrd MANUAL
Upper section
IVth MANUAL
swell
1. Prinzipal
2. Rohrflöte
3. Stillgedackt
4. Oktave
5. Quintadena
6. Schwegel
7. Waldflöte
8. Terz
9. Nasard
10. Scharff 4f.
11. Terzcymbel 3f.
12. Dulcian
13. Krummhorn
14. Tremulant
15. IV-III
16. V-III
8’
8’
8’
4’
4’
2’
2’
1 3/5’
1 1/3’
1 1/3’
1’
16’
8’

1. Stillgedackt
2. Prinzipal
3. Bourdon
4. Salicional
5. Schwebung
6. Oktave
7. Koppelflöte
8. Prinzipal
9. Blockflöte 2’
10. Sesquialter 2f.
11. Mixtur 4f.
12. Nonencymbel 4f.
13. Fagott
14. Trompette harmonique
15. Schalmey-Oboe
16. Trichterregal
17. Tremulant
18. V-IV ?
16’
8’
8’ (V)
(V)
(V)
(V)
4’
2’
2’ (V)
2 2/3’+1 3/5’ (V)
1 1/3’
8/9’ (V)
16’
8’
8’ (V)
4’ (V)
PEDALSECTION
1. Untersatz
2. Prinzipalbaß
3. Contrabass
4. Subbaß
5. Echobaß
6. Oktavbaß
7. Gedacktbaß
8. Oktave
9. Quintadena
10. Nachthorn
11. Hintersatz 3-7f.
12. Mixtur 4f.
13. Contraposaune
14. Posaune
15. Fagott
16. Trompete
17. Clarine
18. Singend Cornett
19. I-P
20. II-P
21. III-P
22. IV-P
23. V-P
32’
16’
16’
16’
16’
8’
8’
4’
4’
2’
2 2/3’
2’
32’
16’
16’
8’
4’
2’

(V) = This stops are able to play in each manual separately.

- 71 stops
- 3 free combinations, 1 divided combination
- electrical key and stop action
- electrical combination system with disc drive
- small pneumatic console for the II. manual